presented by Elaine Levy Project, Brussels, 15 - 27 November

In a series of interventions taking place in between the scheduled program at Elaine Levy Project International Festival is concerned with the performed architecture of temporary and micro communities in relation to production of subjectivity. The first episode brings forth the notion of “rehearsal”. It focuses upon the political undercurrents of working together, through a fragmented restaging of rehearsal footage of Rolling Stones. The intervention displaces modes of representation in order to question production of subjectivity, towards an affectual production that address possible processes of individuation.

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During the in between period of two exhibitions the gallery staff will wear weak reconstructions of the outfits of the members of the band, thus the rehearsing for the upcoming show.

The focus on modes of becoming will in the second episode investigate notions of amplification, and will be exhibited in Elaine Levy project following January.